Spotlight Review: WHAT’S NEXT: A Backstage Pass to The West Wing, Its Cast and Crew, and Its Enduring Legacy of Service, by Melissa Fitzgerald & Mary McCormack

November 19, 2024

From the publisher:

A behind-the-scenes look into the creation and legacy of The West Wing as told by cast members Melissa Fitzgerald and Mary McCormack, with compelling insights from cast and crew exploring what made the show what it was and how its impassioned commitment to service has made the series and relationships behind it endure.

Step back inside the world of President Jed Bartlet’s Oval Office with Fitzgerald and McCormack as they reunite the West Wing cast and crew in a lively and colorful “backstage pass” to the timeless series. This intimate, in-depth reflection reveals how The West Wing was conceived, and spotlights the army of people it took to produce it, the lifelong friendships it forged, and the service it inspired. 
 
From cast member origin stories to the collective cathartic farewell on the show’s final night of filming, What’s Next will delight readers with on-set and off-camera anecdotes that even West Wing superfans have never heard. Meanwhile, a deeper analysis of the show’s legacy through American culture, service, government, and civic life underscores how the series envisaged an American politics of decency and honor, creating an aspirational White House beyond the bounds of fictional television. 
 
What’s Next revisits beloved episodes with fresh, untold commentary; compiles poignant and hilarious stories from the show’s production; highlights initiatives supported by the cast, crew, and creators; and makes a powerful case for competent, empathetic leadership, hope, and optimism for whatever lies ahead.

What’s Next pulls back the curtain on the making of the iconic show, just in time for a pre-election rewatch.” –People

“[This] lively, engaging booktakes a deep dive into the series, including its origin, creators, casting, key episodes from its seven seasons, and more… Fans of the series (aka “Wingnuts”) will enjoy these on- and off-camera stories, and those who have never watched an episode will find out what they’ve missed.” Booklist

“An entertaining history of the show grounded in extensive interviews with its stars, writers, and crew…the insider stories amuse, and meditations on the show’s legacy highlight its influence on real-life politicos.” —Publishers Weekly

“The authors gained excellent access to key figures on the show… plenty of insider trivia… [a] thorough exploration of a prestige-TV standard-bearer.”—Kirkus

https://amzn.to/3Umaqfr

The West Wing is one of my favorite TV shows, and I constantly rewatch it. I know it is pure fantasy, but I love the fantasy and want to live in the Aaron Sorkin-created world where politicians work hard to make life better for their constituents.

I received the hardcover from the publisher over the summer. I still have trouble reading print books, so I read it a little at a time, which worked out perfectly because I got to savor it in a way that I don’t always get to do when I read on my Kindle. It is an extraordinary read about an extraordinary show.

The authors are two of the cast members: Melissa Fitzgerald played Carol Fitzpatrick, CJ’s assistant, and was there from the beginning throughout the series. Mary McCormack started during season five, and played Deputy National Security Adviser Kate Harper. Melissa was so inspired by the episode “In Excelsis Deo” that she ended up as the Director of Justice for Vets, a non-profit organization focused on veterans’ treatment courts that has since been rebranded as All Rise. Many of the cast have helped out with the foundation as well. A TV series that inspires public service is a rarity.

This book is for fans of the show. I am a diehard Wingnut and proud of it. If you love the show, you will love this book. If you don’t understand the popularity of the show – now celebrating its 25th anniversary! – then this book will make it clear why it is still popular so many years later. The West Wing was in the infancy of what is now thought of as prestige television, along with The Sopranos and The Wire, all from the same era. The cast was perfect, the writing incomparable, and the storylines interesting and engaging. The West Wing introduced the “walk and talk,” now a fairly common way of filming. Even the music by W. G. Snuffy Walden was unforgettable.

What’s Next is a must-read for any fan of the show. I loved it.

11/2024 Stacy Alesi, AKA the BookBitch

WHAT’S NEXT by Melissa Fitzgerald & Mary McCormack. Dutton (August 13, 2024). ISBN: 978-0593184547. 608p.

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Spotlight Review: LIFE’S SHORT, TALK FAST: Fifteen Writers on Why We Can’t Stop Watching Gilmore Girls, edited by Ann Hood

November 12, 2024

From the publisher:

Fifteen leading writers explore what Gilmore Girls means to them in this delightful celebration of a contemporary TV classic.

Fast-talking, warm-hearted, and endlessly rewatchable, Gilmore Girls has bonded real-life mothers and daughters since 2000, when its iconic pilot introduced us to Lorelai, Rory, and their idyllic Connecticut town of Stars Hollow. More than twenty years later, it has become one of the most-streamed TV shows, ever.

In an anthology as intimate and quick-witted as Gilmore Girls itself, best-selling author Ann Hood invites fifteen writers to investigate their personal relationships to the show. (“It’s a show? It’s a lifestyle. It’s a religion.”) Joanna Rakoff considers how Emily Gilmore helped her understand her own mother; Sanjena Sathian sees herself―and Asian American defiance―in Lane Kim; Freya North connects with her son through the show; Francesco Sedita discovers an antidote to pandemic loneliness; Nina de Gramont offers a comic ode to the unreality of Stars Hollow. For anyone who identifies as Team Logan, Team Jess, or even Team Dean, Life’s Short, Talk Fast reveals what Gilmore Girls tells us about ourselves―and why it matters.

The writers in this anthology represent bestselling writers, BIPOC and LBGTQ writers, and a varying age range. This diverse group speaks to the broad appeal of Gilmore Girls. These topics include growing up with a single mother, examinations of motherhood from different ages, the fantasy of small-town America, being a single mother, the self-consciousness the show created for non-white fans, a queer look at Lorelai’s parenting that reflects the writer’s own parenting choices, the show’s comfort and impact during the pandemic, Rory’s life path and changes throughout the show and how it did or didn’t disappoint fans and how the guy you root for to win Rory’s heart actually reveals a lot about you.

Essays by Anjanette Delgado, Ann Hood, Annabelle Mei, Cathi Hanauer, Erin Almond, Francesco Sedita, Freya North, Joanna Rakoff, Katie Moulton, Michael Ruhlman/Chris Eigeman, Nina de Gremont, Rand Richards Cooper, Sanjian Sathian, Tracey Minkin and Yassmin Abdel-Magied.

This publication has not been prepared, approved, or licensed by Warner Bros. Entertainment, Inc.; Warner Bros Television; or any other entity or individual associated with the creation or production of Gilmore Girls.

“In this heartfelt tribute to Gilmore Girls, contributors reflect on what the show has meant to them . . . The personal meditations are as soul-stirring as the show itself and shed light on its broad appeal. Gilmore Girls devotees will relish this.” -Publishers Weekly

https://amzn.to/3Umaqfr

I’m a long time Gilmore Girls fan and rewatcher. I started watching with my daughter a few years after the pilot aired, but we only watched sporadically. When it started streaming on Netflix, I watched the entire series, and I’ve been watching it over and over again for years now. There are episodes and even most of a season that I hate, but I don’t skip them (I guess I’m a bit of a masochist?) There are episodes that make me cry, no matter how many times I’ve seen them. It is a comfort watch for me. I love these characters, the quirky small town, and most of all, the relationship between Lorelai and Rory, mother and daughter but more than that, best friends.

They formed that bond because the age difference between them wasn’t great – Lorelai was only 16 when she had Rory, and as a single mother with a terrible relationship with her own mother, Lorelai knew she wanted a completely different relationship with her own daughter. The series starts when Rory is 16 years old, so full circle. They are alike in so many ways, but also different in many others. It’s their dynamic that is so compelling.

In this book, several authors talk about their relationship with the show, with their own mothers, daughters, or sons. Their observations were interesting and educational – I never really thought about Lorelai’s coat collection (there were so many!) and her relationship with money. It was always there, sort of in the background until she needed help from her parents. Most of these authors are fans of the show, and one is definitely not – but his family are.

This is a book for the fans. If you haven’t watched it, this book won’t matter to you or even make much sense. But if you are a fan, it’s another way to visit Stars Hollow. It is thought-provoking, sometimes funny, and sometimes sad, but always interesting. It is the type of book you can pick up, read an essay or two, and put down again. I didn’t – I read it straight through, but you don’t have to. I didn’t always agree with what was said, but I enjoyed hearing all the different perspectives on a TV show that has meant so much to me. I appreciate the sentiments involved with this project, and I hope all the Gilmore Girls fans out there will find this book and love it, too.

As a mother, I’d be Team Logan for my daughter; as me, Team Jess (I married my own Jess!)

11/2024 Stacy Alesi, AKA the BookBitch

LIFE’S SHORT, TALK FAST: Fifteen Writers on Why We Can’t Stop Watching Gilmore Girls, edited by Ann Hood. W. W. Norton & Company; An Unauthorized edition (November 12, 2024). ISBN: 978-1324079453. 208p.

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Spotlight Review: BAD FEMINIST by Roxane Gay

March 29, 2022

Essays

From the publisher:

A collection of essays spanning politics, criticism, and feminism from one of the most-watched cultural observers of her generation.

In these funny and insightful essays, Gay takes us through the journey of her evolution as a woman (Sweet Valley High) of color (The Help) while also taking readers on a ride through culture of the last few years (Girls, Django in Chains) and commenting on the state of feminism today (abortion, Chris Brown). The portrait that emerges is not only one of an incredibly insightful woman continually growing to understand herself and our society, but also one of our culture.

Bad Feminist is a sharp, funny, and spot-on look at the ways in which the culture we consume becomes who we are, and an inspiring call-to-arms of all the ways we still need to do better, coming from one of our most interesting and important cultural critics.

New York Times Bestseller • Best Book of the Year: NPR • Boston Globe • Newsweek • Time Out New York • Oprah.com • Miami Herald • Book Riot • Buzz Feed • Globe and Mail (Toronto) • The Root • Shelf Awareness

https://amzn.to/3IL894I

I’m a long time admirer of Roxane Gay, but this is the first book of hers that I read. Over the years I’ve read many of her essays in various publications like New York Magazine, VQR, The New York Times, and many more. This book is part of the Social Impact Book Series that I facilitate at Lynn University. The essays are divided into five parts: Me; Gender & Sexuality; Race & Entertainment; Politics, Gender & Race; and Back to Me.

It was originally published in 2014, and I’m sorry to say there is one essay about Bill Cosby that has not held up. In fact, Gay wrote about Cosby later on, updating her position in The Empty Chair & 35 Women Standing Up to Bill Cosby, Rapist. Then again, most of us loved Bill Cosby until his actions forced us into hating him.

Other essays include the eponymous “Bad Feminist,” in which she says, “The more I write, the more I put myself out into the world as a bad feminist but, I hope, a good woman.” She describes herself as “a mess of contradictions” and discusses the dichotomy of thinking herself a feminist yet listening to rap music that degrades women, knowing nothing about cars, hating how women are held to impossible beauty standards yet being a voracious Vogue reader. I think most women struggle with these and other dichotomies as well, and I certainly can relate.

In this collection, Gay explores what it means to be a woman in America in this century. She explores her own imperfections, thus shining the light on our own and helping us understand that we are all imperfect. Her voice is always engaging and I found myself reading just one more and then one more after that. At times funny and sad and everything in between, Gay takes us on her very personal journey yet somehow I found it very relatable, and that is no easy feat. An easy book to pick up and a bit tougher to put down, this is a collection that is worth seeking out.

NOTE: Roxane Gay Books is a new imprint of Grove Atlantic announced in May. 2021 and will “focus on underrepresented fiction, nonfiction and memoir writers, with or without agents.” (NYT) I am not aware of any books that have been published yet.

3/2022 Stacy Alesi, AKA the BookBitch

BAD FEMINIST by Roxane Gay. Harper Perennial; 1st edition (August 5, 2014). ISBN: 978-0062282712. 336p.

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CALYPSO by David Sedaris

July 14, 2018

Click book cover to purchase

So I broke a crown, a molar, next to another crown and they both have to be replaced. In the dentist’s waiting room, I was reading this book and laughing out loud like an idiot despite the pain in my mouth. I was reading on my phone so I don’t know what the other people in that office were thinking and I really didn’t care. There’s nothing like getting bad news and knowing at least you have a funny book to get back to. Feel free to send donations. Did I mention I need TWO crowns?!

I am a long time David Sedaris fanatic. When I worked at Borders, I stumbled across Holidays on Ice, with the original cover showing Santa standing at an urinal. I’m not sure why that cover was changed. That book has the story about when David was a Christmas Elf in a department store and NPR airs that story every year at Christmas. It still cracks me up no matter how many times I’ve heard it. I got to see him in person a few books ago at the American Library Association conference and I laughed until I cried. I probably mention all of this in every review I do of his books because, why not.

So Calypso. A friend/co-worker told me she didn’t especially like it, she thought it was very melancholy. I was shocked. Then she said maybe I’m losing my sense of humor and I assured her that she was. Yes, there are some parts of the book – dealing with his aging father, his sister’s suicide, that are sad. But even in those stories there is humor.

I loved “Your English is So Good,” in which David dreams up the idea to teach foreign business traveler’s visiting America English. He goes off on upselling, buying a magazine at the airport and being asked if he wants a bottle of water then demanding coffee, ONLY coffee, at the Dunkin’ Donuts and the cashier asks if he wants a cup. This is funny stuff! I also liked his collecting words that should be outlawed, like “awesome!”

Another fun essay is called “Little Guy” in which he laments his lack of height and wonders how tall Rock Hudson was. That leads to how his computer is always so wholesome and his sister Amy’s computer is always spewing porn no matter what question Google is asked. The essay that titled the book, “Calypso,” explains how a friend of David’s is an artist but her latest project is just finding pieces of plywood that she sees things in. Like the face on the cover of this book. Which led to a whole diatribe on his seeing various doctors while on book tour across America. The tumor stuff was unbelievable and I will leave it at that.

I loved this book and there are some Trump references in it that also made me laugh.

Thank you, Mr. Sedaris, I sure needed that.

7/18 Stacy Alesi, AKA the BookBitch™

CALYPSO by David Sedaris. Little, Brown and Company; 1st Edition edition (May 29, 2018). ISBN 978-0316392389. 272p.