Spotlight Review: YOU’LL LOVE IT HERE by Natalie Sue

August 11, 2026

From the publisher:

From the bestselling author of I Hope This Finds You Well comes a sharply funny, surprisingly tender novel about a woman stuck in place, her nosy neighbors, and the journey to find where she belongs—with all the heart of a grown-up The Breakfast Club.

Mona thought her living situation was bad… but the real mess is just beginning.

One day is all it takes for Mona’s life to implode. After years of climbing at her marketing firm, she was supposed to be getting promoted and finally moving out of her crumbling apartment building. Instead, she’s jobless, aimless, and still stuck in a space barely big enough for a yoga mat.

Then her eccentric landlady takes a tumble and asks Mona to step in as the building’s reluctant super. The deal is simple: help prep the place for sale, and she can secure the upgrade she’s been chasing. But that’s easier said than done when the neighbors treat “boundaries” as optional. There’s the shouting couple, the mysterious shut-in, a possible panty thief in the laundry room—and Sami, the relentlessly cheerful diner owner who keeps showing up with coffee and unsolicited ideas about community. As Mona gets pulled deeper into the building’s chaos—and closer to the people inside it—she’s forced to confront what, and who, she’s really been trying to outrun. Sometimes, the place you’re desperate to leave is the one that finally shows you who you are.

Wise, heartfelt, and laugh-out-loud funny, Natalie Sue’s sophomore novel is a story about burning out, starting over, and finding your people in the most unexpected places—perfect for fans of The Wedding People and Anxious People.

https://bookshop.org/a/123058/9780063320437

Sue’s second novel (after I Hope This Finds You Well) is a biting, soulful, and deeply funny portrait of modern city life and a life in freefall. After botching a major presentation at work, Mona is placed on six weeks’ leave—and makes things worse by drunkenly vandalizing her own lobby. When her landlady, Irene, is injured, Mona steps in to manage the building and care for her dog. Though she barely knows her neighbors beyond unflattering nicknames, Mona is suddenly responsible for a chaotic cast of tenants. Sami, the charming diner owner next door, is helpful and a good sounding board. Then Irene’s niece offers her a deal: help prepare the building for sale, get a nicer apartment in return. It seems simple—until growing close to the residents makes the cost of that choice impossible to ignore. Wry, heartfelt, and never preachy, the novel captures the disorientation of starting over when everything falls apart.

VERDICT A warm, humorous, and deeply touching novel, book groups will find lots to discuss here. Should appeal to readers who enjoy Fredrik Backman, Shelby Van Pelt, or Elinor Lipman.

©Library Journal, 2026

8/2026 Stacy Alesi, AKA the BookBitch

YOU’LL LOVE IT HERE by Natalie Sue. William Morrow (August 11, 2026). ISBN: 978-0063320437. 320p.

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Spotlight Review: APPRAISALS by Claire Boyles

August 4, 2026

From the publisher:

Financial and ecological realities tear at the heart of a multigenerational farm family in this debut novel from a “deft and daring” (Los Angeles Times) Whiting Award winner.

Maggie Brandt is finishing her third season as a small-scale organic vegetable farmer in rural Colorado when the Great Recession of 2008 hits. After months of unemployment, her husband, Fish, takes a job with an oil and gas company, a decision that rocks Maggie and their fifteen-year-old daughter, Ozzie, both committed environmentalists. As the community organizes against a suspicious outsider who is buying farmland and water rights throughout the county, Ozzie’s activism escalates toward criminal mischief, and Maggie and her grandmother, Flora, must confront the complicated truths of the past in search of a path forward.

Boyles grounds the threats posed by resource extraction and consolidation of land and water ownership in the wrenching, rich lives of her characters. At once tender and urgent, Appraisals is a moving portrayal of ecological and financial catastrophe, the powerful generational bonds between women, and the fierce impulse to protect the places we love.

https://bookshop.org/a/123058/9780393531800

Boyles’ debut novel, following her short story collection Site Fidelity, offers a thoughtful look at small family farms struggling to survive. Set in rural Colorado during the 2008 economic downturn, the story centers on Maggie Brandt, who runs a financially strained organic farm with the help of her family and neighbors. Her husband, Fisk, has been laid off but eventually takes a job with the oil and gas company planning a pipeline through the community’s farmland, a compromise that strains his marriage.

As a severe water shortage grips the area, a tech billionaire begins buying up nearby land and water rights, tightening control around the Brandt farm. Maggie is outraged, while Fisk remains pragmatic, focused on paying overdue bills and keeping the peace. Meanwhile, their teenage daughter, Ozzie, becomes an activist, joining forces with classmates and her grandmother to protest the pipeline and those controlling the region’s water, pushing the boundaries of the law.

The novel is deliberately unhurried, rich in imagery that reflects the rhythms of rural life, even as the Brandt family edges toward catastrophe.

VERDICT: A strong choice for readers of literary fiction interested in contemporary farming issues, and well-suited for book discussion groups.

©Library Journal, 2026

8/2026 Stacy Alesi, AKA the BookBitch

APPRAISALS by Claire Boyles. W. W. Norton & Company. (August 4, 2026). ISBN: 978-0393531800. 288p.

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Spotlight Review: ROAD TRIP by Mary Kay Andrews

July 28, 2026

From the publisher:

New from the beloved New York Times bestselling author of Summers at the Saint and Hello, Summer!

Pack your bags for a summer journey shaped by family secrets, long-buried history, and charming men with Irish accents.

Maeve and Therese Dunigan haven’t spoken in years. Raised under the same roof in Savannah, the two sisters could not be more opposite―Maeve the rule follower, Therese the unapologetic rebel. But when their mother’s death pulls them back together, they inherit more than just grief: a mysterious painting that may be worth millions…if it’s real.

Determined to uncover the truth―and desperately in need of the money―the sisters set out on a journey to Ireland, tracing their family’s roots and the origins of the portrait. What begins as a search for answers soon becomes something deeper―a reckoning with the past, as they uncover secrets that span generations and reshape everything they thought they knew about their family.

With tensions simmering, the two hit the road and find themselves on twisty lanes, in colorful villages, at local pubs, and with handsome men whose gift of the gab is surpassed only by their charm.

Can Maeve and Therese actually survive the journey without killing each other? Join Mary Kay Andrews on a road trip that will entertain you for miles.

“A cozy romp that touches lightly on multiple genres to spin an intriguing tale: murder mystery, IRA art heist, coming-to-America immigrant story, justice for elder financial abuse, dual rom-com narratives, and an earnest story of two sisters learning to appreciate each other again. A delightful tale with vivid characters.” ―Kirkus

“With well-developed characters, a taut plot, and a keen sense of place, this lively tale is perfect for the beach bag.” —Publishers Weekly

“The pacing is consistent throughout the entire story, making the entire reading experience enjoyable. These characters shine under Andrews’s established hand, and their story arc is very satisfying.” —Library Journal

https://bookshop.org/a/123058/9781250372888

Mary Kay Andrews is one of my favorite authors, and this may be her best book yet! Road Trip is the kind of novel that sneaks up on you with its heart.

Sisters Maeve and Therese Dunigan haven’t spoken in years, and for good reason. Maeve is the dutiful one — tightly wound, reliable, the sister who stayed behind in Savannah to care for their mother. Therese is the opposite: impulsive, unapologetic, gone for seven years and only now returning home for the funeral. When they reunite to sort out their mother’s estate, they expect very little — and that’s almost exactly what they get. Instead of an inheritance, they discover their mother quietly mortgaged the family home to bankroll a Texas televangelist. What she left them instead is $9,000 in cash and a strange, legally binding request: travel together to Ireland and uncover the story behind the elegant oil painting that’s hung in their childhood home for generations.

What follows is equal parts mystery and reconciliation. The painting — brought over by their great-grandmother a century ago — may be worth a fortune, and chasing its provenance pulls the sisters into their family’s Irish roots. The story alternates between present-day Ireland and a historical thread that slowly reveals how the portrait became entwined with the Dunigan family in the first place, touching on emigration, hardship, and the pull of home.

The real pleasure here isn’t the treasure hunt, though — it’s watching Maeve and Therese figure each other out. Their relationship starts in old resentment and miscommunication, all sharp edges and unspoken hurt, and gradually softens into something like understanding. Maeve, admittedly, can be grating for long stretches — her rigidity occasionally makes you want to shake her — but that friction is the point. Watching two people who’ve spent years assuming the worst about each other slowly reconsider is genuinely moving.

Ireland itself is practically a character: the small villages, the pubs, the wary-then-welcoming locals of a place like Tarrymore all come alive on the page. The historical sections — following the painting’s journey and the immigrant story behind it — add real weight and texture.

Ultimately, Road Trip is a story about what heritage can heal. It’s about two very different women learning that forgiveness and identity are often found in the same place — sometimes literally, on the other side of an ocean. Warm, satisfying, and easy to sink into, it’s a lovely blend of family saga, light mystery, a touch of romance, and travelogue that will especially appeal to readers who love stories about sisters, secrets, and the past that shapes us. I loved it.

7/2026 Stacy Alesi, AKA the BookBitch

ROAD TRIP by Mary Kay Andrews. St. Martin’s Press (June 2, 2026). ISBN: 978-1250372888. 448p.

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THE LAST PAGE by Katie Holt 

July 24, 2026

From the publisher:

A bookseller with a dream of running her beloved bookstore vs. the owner’s out-of-touch grandson who inherits everything. Game on.

From the author of Not in My Book comes another irresistible, bookish contemporary romance.

Ella has grown up at The Last Page, a charming local bookstore in New York City where she now works. Her first kiss was in the women’s health section. A boyfriend dumped her in comedy. The owner is like a second father to her and has begun training her to take over the store. So when he unexpectedly dies and his estranged grandson is left everything in the will, Ella is devastated.

Henry doesn’t know the first thing about running a bookstore. With his aging mom back in Tennessee, he plans to stay in New York just long enough to sell the store and then head back home. What he never could have counted on was the beautiful, funny bookseller who loves The Last Page more than any place in the world—and who sees him as the villain who’s come to ruin her life.

But when it becomes evident that the store is in deep financial trouble and Henry and Ella are both at risk of losing everything, they have no choice but to put their differences aside and team up, despite their very different end goals—and the inconvenient chemistry blossoming between them.

Fans of Christina Lauren and Ali Hazelwood will adore this rivals-to-friends-to-lovers bookish romance!

“Holt expertly injects their romance with humor while crafting a love letter to book lovers and New York City. This is a charmer.” —Publishers Weekly, starred review

“Holt’s novel has so much to savor: a large cast of lively characters, laugh-out-loud banter, a whimsical bookshop setting, an excellently executed slow-burn enemies-to-lovers storyline, and a bustling backdrop. Recommended for fans of emotional, steamy, bookish romances with strong Latine leads.” —Library Journal, starred review

“A cute literary-themed romance.” —Kirkus Review

https://bookshop.org/a/123058/9798892424103

Ella grew up tucked between the shelves of The Last Page, a tiny New York City bookstore that smelled like old paper, new beginnings, and the man who practically raised her. Leo wasn’t just her boss—he was her second father, her honorary grandfather, her mentor, her person. He taught her how to run the store, how to love it, how to breathe books like oxygen. She was supposed to inherit it one day.

Except she didn’t.

When Leo dies suddenly and leaves the store to his estranged grandson, Ella’s grief curdles into something sharp. Henry doesn’t know the store. He doesn’t know the customers. He doesn’t know her. Yet he’s the one holding the keys to her second home.

Henry, meanwhile, wants nothing more than to get back to Tennessee—back to his mom, his best friend, and a life that makes sense. His plan is simple: get the bookstore in order, sign whatever papers need signing, and head south. But then he meets Ella: beautiful, prickly, funny, and absolutely convinced he’s the villain of her story. Which shouldn’t matter, because he’s leaving… right?

But The Last Page is in trouble—real trouble—and suddenly Henry and Ella are forced into a reluctant partnership. And ignoring their chemistry becomes about as impossible as ignoring a book that keeps calling your name.

And listen… Henry? He’s the kind of shy, hot nerd who wears glasses he actually needs, blushes when Ella teases him, and has the body of someone who definitely played college football. A walking contradiction in the best way. Ella never stood a chance.

Their initial tension is delicious, but what makes this story sing is how quickly they choose vulnerability over miscommunication. No dragged-out drama. No third-act breakup. Just two emotionally mature adults figuring out grief, change, and each other with honesty and care. It’s the kind of romance that makes your chest feel warm.

The bookstore setting wraps everything in cozy charm—found family, stacks of books in every scene, New York magic humming in the background. The contrast between Ella’s lifelong bond with Leo and Henry’s distant, complicated relationship with him adds a quiet emotional thread that ties them together long before they realize they’re on the same team.

Their slow-burn shift from strangers to uneasy allies to friends to lovers feels organic and deeply satisfying. Henry’s protectiveness, Ella’s stubborn independence, the way they learn to take care of each other—it’s tender, grounded, and genuinely swoony. The side characters add texture and humor, making the whole world feel lived-in and real.

The Last Page is a warm hug of a romance—comforting, bookish, emotional, and full of yearning. Predictable in the best way, like a favorite trope done right. A perfect cozy escape, and a love letter to readers who find home in stories.

7/2026 Stacy Alesi, AKA the BookBitch

THE LAST PAGE by Katie Holt. Sourcebooks Landmark (November 3, 2026). ISBN: 978-1728264080. 368p.

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Spotlight Review: YESTERYEAR by Caro Claire Burke

July 14, 2026

From the publisher:

#1 NEW YORK TIMES BESTSELLER • A GMA BOOK CLUB PICK • A NEW YORK TIMES BEST BOOK OF THE YEAR (SO FAR) • A traditional American woman, a “tradwife” influencer, suddenly awakens in the brutal reality of 1855—where she must unravel whether this living nightmare is an elaborate hoax, a twisted reality show, or something far more sinister in this sensational debut novel.

My name was Natalie Heller Mills, and I was perfect at being alive.

Natalie lives a traditional lifestyle. Her charming farmhouse is rustic, her husband a handsome cowboy, her six children each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the heir to a political dynasty? What Natalie’s followers—all 8 million of them—don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal—and just so happens to be building an empire from it.

Until one morning she wakes up in a life that isn’t hers. Her home, her husband, her children—they’re all familiar, but something’s off. Her kitchen is warmed by a sputtering fire rather than electricity, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer. Just yesterday Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and handwash clothes until her fingers bleed. Has she become the unwitting star of a ruthless reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible.

A gripping, electrifying novel that is as darkly funny as it is frightening, Yesteryear is a gimlet-eyed look at tradition, fame, faith, and the grand performance of womanhood.

“Mesmerizing… An ingenious, exquisite, be-careful-what-you-wish-for… In Burke’s biting prose, Natalie is an electric antiheroine… Revelatory… Yesteryear draws to a dizzying conclusion.” –Michelle Ruiz, The New York Times Book Review

“One of the year’s most relentlessly fast-paced and satisfying novels, a sharp and witty social satire that also works as a taut thriller and a vexing work of speculation… Unusually ambitious for a debut novel and also uncannily astute about the complicated, contradictory times in which we live.” –Kate Tuttle, Boston Globe

“Burke captures much of the zeitgeist in Natalie’s increasingly delusional, overall disturbing state of mind in both time periods—and in other characters’ collisions with it. The seductive topic, unreliable narrator, and surprisingly creepy vibes are sure to draw readers in and keep them guessing.” —Booklist (starred review)

“Readers won’t be able to look away. . . . Captivating.” –Library Journal

https://bookshop.org/a/123058/9780593804216

Talk about a premise that sells itself. Yesteryear is the kind of high-concept idea that gets snapped up in a bidding war before the ink is dry — and sure enough, Anne Hathaway’s production company attached itself early. That’s both the best and worst thing that happened to this book.

The premise of Yesteryear immediately grabbed me. A glamorous tradwife influencer with millions of followers wakes up one morning to find herself living an actual pioneer life in 1805? I was completely sold.

Natalie Heller Mills has built an empire around the illusion of the perfect traditional life. Her social media is filled with homemade bread, farm chores, a handsome husband, and six children living the dream on an Idaho ranch. What her followers don’t see are the nannies, production crew, expensive appliances, and carefully curated performances that keep the fantasy alive.

Then Natalie wakes up to discover she’s no longer playing pioneer—she’s living it.

Gone are the modern comforts, electricity, running water, and social media. Instead, she’s hauling firewood, washing clothes by hand, caring for her own children, and trying to survive the brutal realities of frontier life alongside a far rougher version of her husband. At first, I assumed this was going to be an entertaining blend of historical fiction, magical realism, and fish-out-of-water comedy.

It isn’t.

About halfway through, the novel takes a turn I never saw coming. I won’t spoil it, but the back half is where opinions split. Once the twist lands — and it’s a doozy, one that pulls hard from real-life headlines — the book shifts from satire into something darker and stranger. Some readers will find it a gut-punch that recontextualizes everything; others will feel the movie studio-committee fingerprints start to show, like the sharper political edges got sanded down along the way.

What follows is a sharp, unsettling exploration of influencer culture, religious extremism, gender roles, political polarization, and the dangerous gap between the lives people project online and the truth behind closed doors. Natalie is a fascinating narrator because she’s deeply flawed. She’s narcissistic, judgmental, desperate to be seen as morally superior, and often profoundly unlikeable. Yet Burke makes her understandable, if not sympathetic, showing how her upbringing, beliefs, and need for validation shaped the person she’s become.

I didn’t particularly like most of the characters, and I think that was intentional. Caleb is frustratingly passive, his family is manipulative, and nearly everyone seems trapped by expectations they either embrace or resent. Despite that, I couldn’t stop reading.

Yesteryear is darkly funny, wildly ambitious, and guaranteed to spark conversation. It’s part psychological thriller, part social satire, and part character study, wrapped inside a premise that’s impossible to resist. The final twist is shocking, emotionally devastating, and lingered with me long after I finished.

Provocative, unsettling, and completely unforgettable, this is one of those books people will be talking about all year. If you are in a book group, you won’t want to miss this one.

7/2026 Stacy Alesi, AKA the BookBitch

YESTERYEAR by Caro Claire Burke. Knopf. (April 7, 2026). ISBN: 978-0593804216. 400p.

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Spotlight Review: IRONWOOD by Michael Connelly

July 7, 2026

Catalina, Book 2

From the publisher:

Sworn to protect a scenic island meant to be far from the evils of the mainland, Detective Sergeant Stilwell can feel danger closing in.

Detective Sergeant Stilwell knows that his posting on Catalina Island is no paradise, but to most residents, it seems blissfully separated―by twenty-two miles of ocean―from the troubles of Los Angeles County. But now a threat is coming to his safe haven.
 
Acting on a tip from a confidential informant, Stilwell and his deputies watch a plane land in the middle of the night at the Airport in the Sky, a remote airstrip in the mountains. A duffel bag of drugs is dropped and the deputies move in, but things quickly go sideways. While Stilwell chases the fleeing pickup man into the mountainside brush, shots are fired on the runway and the plane flies off.
 
An internal inquiry follows, putting Stilwell on the bench until he is cleared of responsibility for the disastrous operation. But he is determined to find out who brought deadly violence to his island, and begins his own secret investigation into the drug deal gone wrong.
 
While under orders to remain in the sheriff’s substation, he finds in the lost and found a valuable backpack that was never claimed. He traces it to a woman who disappeared while hiking on the island four years ago. But then why was the pack only turned in two months back? Now thoroughly intrigued, he follows the mystery all the way to the LAPD’s Open-Unsolved Unit and Detective Renée Ballard.
 
Stilwell and Ballard work the case from both sides of the channel, and soon realize they are on the trail of a criminal who revels in taunting the authorities. Meanwhile, frustrated at being shut out of an investigation on his own island, Stilwell risks his already shaky standing in the department to pursue a case whose reach is wider than he ever imagined.
 
Page-turning, packed with intrigue, and bringing together an unstoppable investigative team, Ironwood continues the Catalina series with all of Michael Connelly’s signature “relentless narrative drive…evocative atmosphere, realistic dialogue, and well-developed characters” (Washington Review of Books).

AN INSTANT NEW YORK TIMES BESTSELLER

“A special treat from a genre master whose work seems as fresh as ever.”―Wall Street Journal

“Connelly is at his most polished and incisive here, with crackling dialogue, complex investigations, tricky relationships, escalating suspense, and dogged and inspired sleuthing by a principled, rule-breaking hero. The satisfying ending promises more enthralling episodes on the horizon.”―Booklist (starred review)

“Connelly has another great series on his hands with his Catalina novels…The mysteries are intriguing, the pace is relentless, and Stillwell is a captivating character. Adding Ballard makes a great book stellar.”―Library Journal (starred review)

https://bookshop.org/a/123058/9780316595384

The second Detective Sergeant Stilwell novel proves Michael Connelly hasn’t lost a step. Ironwood builds on the strong foundation of Nightshade, establishing Stilwell as much more than a new addition to the Bosch universe. He already feels like a fully realized Connelly protagonist—principled, relentless, and willing to bend the rules when justice demands it.

About a year after the events of Nightshade, a midnight drug interdiction on Catalina Island ends in disaster. One deputy is killed, another is critically injured, and the suspects escape. While an internal investigation sidelines Stilwell to desk duty, he’s ordered to stay out of the case. Naturally, that doesn’t last long.

While sorting through the Avalon station’s lost-and-found, Stilwell discovers an abandoned backpack connected to a young woman who vanished while hiking on the island four years earlier. What begins as a forgotten missing-person case soon collides with the fallout from the failed drug operation, drawing Stilwell into a far more dangerous investigation than anyone anticipated.

The cold case eventually brings in Detective Renée Ballard and the LAPD’s Open-Unsolved Unit, who are pursuing a serial killer with possible ties to the missing woman. Ballard is as sharp as ever, and her dynamic with Stilwell crackles. He admits he’s getting too close to the case; she hits him with classic Harry Bosch wisdom about working the murder book from every angle until something breaks. Speaking of Bosch — yes, he appears, and no, it doesn’t feel like a stunt. It feels like a torch being passed, which is exactly what it is.

Catalina Island continues to be one of the series’ greatest strengths. Connelly captures both its postcard beauty and its small-town politics, where petty disputes, vandalized landmarks, and long-held grudges exist alongside murder investigations and high-stakes police work. The island feels every bit as alive as the characters.

What I continue to admire most about Connelly’s writing is how effortless it feels. The pacing is brisk, but never rushed. The procedural details add authenticity without slowing the story, and every subplot serves a purpose. Even the smaller island cases deepen our understanding of Stilwell’s character, revealing a detective driven as much by compassion as determination.

The short chapters and razor-sharp plotting made this nearly impossible to put down. Every clue matters, every revelation lands, and Connelly expertly weaves multiple investigations into one satisfying conclusion.

While Ironwood can be read as a standalone, I highly recommend starting with Nightshade. Watching Stilwell grow into his role—and into the larger Bosch universe—is part of the fun. This is an even stronger outing than the series debut and another reminder that Michael Connelly remains the gold standard for modern police procedurals.

7/2026 Stacy Alesi, AKA the BookBitch

IRONWOOD by Michael Connelly. Little, Brown and Company (May 19, 2026). ISBN: 978-0316595384. 336p.

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Spotlight Review: THE SHAMPOO EFFECT by Jenny Jackson

June 30, 2026

From the publisher:

An ambitious young woman insinuates herself into a tight-knit social set, shaking up friendships and marriages in a small seaside town. A frothy novel of love, money, sex, and friendship, from the New York Times bestselling author of Pineapple Street (“Laugh-out-loud-good.” —Harper’s Bazaar)

When Caroline Lash arrives in Greenhead, Massachusetts, she falls head-over-heels for Van Whittaker, a fleece-wearing, litter-collecting, kayak enthusiast with long, floppy hair and the personality of a Border collie. Born and raised in this picturesque coastal village, Van runs with the same crowd he did as a kid: His ex-girlfriend, Bailey, a beautiful girl who attracts men like moths to a flame; Augusta, old money, horsey, and snobbish; and Fran, surrounded by brothers and sons, too fed up with boys to ever consider marrying one.

Together, the group runs wild through the marshes, beaches, and bars of Greenhead, drinking on houseboats, spending long afternoons sunbathing with their children, and playing games the way they always have. But when Bailey discovers that she is pregnant with Van’s baby, the delicate balance of the group’s friendship is thrown off. Soon Caroline is cast out of the circle and what she does next—in a potent mix of fury and heartbreak—exposes long-held secrets and works the entire town of Greenhead into a lather. Dazzlingly funny, sexy, and as juicy as it is astute, The Shampoo Effect is a story of late-night parties, early mornings with small children, the dawn of midlife, and a group of old friends finally growing up despite all their best efforts to the contrary.

“Jackson rotates the point of view around the set of friends, deftly depicting the practices and pressures of modern parents . . . This easy read combines a literary rom-com with an acute portrait of midlife among millennials.” —Kirkus

https://bookshop.org/a/123058/9798217059959

Jackson (Pineapple Street) offers sharp social commentary on millennials navigating middle age, set in a close-knit Massachusetts beach town. Caroline, an outsider, narrates much of the story, with other voices offering their perspectives. The daughter of a bestselling author, Caroline is determined to forge her own literary identity. After publishing a story in The New Yorker, she quits her publishing job and wins a prestigious writing fellowship that comes with a stay in a seaside cottage once owned by a legendary local writer. There she meets Van, a passionate environmentalist, and is drawn into his longtime circle of friends. As she immerses herself in their world—and falls in love with Van—initially guarded relationships soften. But everything shifts when one of Van’s friends reveals she is pregnant with his child. Though Caroline and Van navigate the pregnancy, things change after the baby’s birth, and Caroline lashes out the only way she knows how: through her writing. Her thinly veiled short story, based on Van’s friends, detonates this small town. Hidden truths surface, relationships fracture, and everyone is forced to reckon with what they’ve been avoiding.

VERDICT Fueled by humor, sex, and drugs, this pointed, character-driven novel should appeal to fans of Emma Straub or Taffy Brodesser-Akner.

©Library Journal, 2026

6/2026 Stacy Alesi, AKA the BookBitch

THE SHAMPOO EFFECT by Jenny Jackson. Pamela Dorman Books. (June 30, 2026). ISBN: 979-8217059959. 352p.

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Spotlight Review: WORSE THAN STRANGERS by Kyleigh Leddy

June 23, 2026

From the publisher:

A debut novel for fans of Jane Austen, Elin Hilderbrand, and Gilmore Girls, Worse Than Strangers is a Nantucket-set retelling of Austen’s Persuasion about finding romance, second chances, and a new path in life.

Rose and Lily are best friends first, mother-daughter second, which is good because right now, Lily could really use a friend. Recently fired from her NYC magazine job and heartbroken, Lily has fled to the family cottage in Siasconset. She is shocked when she stumbles across her first love at the grocery store holding hands with his new fiancé—a fiancé he never mentioned on their many, many late-night phone calls.

Rose has secrets, too. A therapist about to start her own private practice, Rose’s world is rocked by the handsome renter staying in their guest cottage, Thomas Wentworth: the one person she thought she would never see again and the man who has always (unfortunately) held her heart.

A modern retelling of Jane Austen’s Persuasion set against a backdrop of blue and purple hydrangeas, swollen brick sidewalks, tall sea grass, and uniform, shingled houses, Lily and Rose Gardner’s summer journey of second chances, healing, and hope begs the question: Can you repeat the past, and is it ever too late to try again?

https://bookshop.org/a/123058/9781668092514

Leddy’s first novel after her acclaimed memoir, The Perfect Other, feels like a contemporary Persuasion set on sun-drenched Nantucket—exploring love, loss, regret, and second chances with warmth and depth.

Rose and Lily Gardner are mother and daughter and best friends, though Rose keeps a few secrets. When Lily loses her job and returns home, she finds her mother still grieving for the aunt who raised her. Their cottage has a small rental apartment, and Rose is stunned that her new summer tenant is Tommy—her first love, the one she let get away.

Meanwhile, Lily lands a job at the local yacht club after meeting Theo, the tennis pro, who recommended her partly out of self-interest: he is drawn to her but reluctant to pursue anything. Lily, still recovering from an amicable breakup, has just learned her ex is now engaged—a sting she did not expect.

There is plenty of drama, but it’s the tender, layered bond between Rose and Lily that anchors the story and keeps pages turning.

VERDICT A beautifully written ode to mothers and Austen alike, this will delight book clubs and fans of Elin Hilderbrand.

©Library Journal, 2026

6/2026 Stacy Alesi, AKA the BookBitch

WORSE THAN STRANGERS by Kyleigh Leddy. Gallery Books (June 23, 2026). ISBN: 978-1668092514. 320p.

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Spotlight Review: SUMMER STATE OF MIND by Kristy Woodson Harvey

May 5, 2026

From the publisher:

“Queen of the beach read,” (CosmopolitanNew York Times bestselling author Kristy Woodson Harvey returns with a heartfelt escape to coastal Carolina.

After the worst day in her professional life, burnt-out NICU nurse Daisy Stevens runs to Cape Carolina, North Carolina, looking for a new life—and possibly new romance. On her first day at her “simpler” job, high school baseball coach Mason Thaysden discovers an abandoned baby, sending ripples through the entire tight-knit town of Cape Carolina.

Mason is still struggling to reconcile the scars of the injury that kept him out of the big leagues, stuck in his hometown, and searching for a way out. This newcomer and the child they’ve saved together might be just the motivation he needs to stay put. Sparks fly as Mason acquaints Daisy with Cape Carolina, introducing her to his friends and family, including his batty Aunt Tilley, who is looking for relief from long-buried family secrets and her own fresh start.

But as Daisy becomes increasingly attached to this abandoned child, and begins facing her own demons in the process, a startling discovery is made that threatens to rip the entire town of Cape Carolina apart, placing Daisy, Mason, and Tilley in the center of the storm. In a novel that proves that “Kristy Woodson Harvey is (the) go-to for elevated beach reads” (People), they will each learn that with love, understanding—and a community theater production of Hello, Dolly!—sometimes life conspires to bring us just exactly where we belong.

https://bookshop.org/a/123058/9781668074886

Harvey returns to the charming small town of Cape Carolina (Under the Southern Sky) with a tender, emotionally layered story about love, loss, and what it truly means to be a family.

Daisy, a burned-out NICU nurse, is searching for a quieter life after years in a high-pressure hospital job. She hopes Cape Carolina will offer a fresh start—but on her very first day, everything changes. Mason, the local high school baseball coach trying to outgrow his bad-boy reputation, discovers an abandoned newborn behind the school gym and rushes her to the hospital. Daisy is instantly drawn to the baby—and to the man who found her. Their growing attraction is further complicated by family secrets, especially those involving Mason’s eccentric Aunt Tilly, whose kindness comes with a long-buried confession.

When Daisy is given the chance to foster the baby girl, her attachment runs deep. As she becomes convinced the child is meant to be hers, Mason begins to worry that Daisy’s judgment is skewed.

VERDICT With small-town North Carolina charm, memorable characters, and thoughtful exploration of motherhood, grief, and redemption, this heartwarming novel is a moving story of second chances and unexpected love.

©Library Journal, 2026

3/2026 Stacy Alesi, AKA the BookBitch

SUMMER STATE OF MIND by Kristy Woodson Harvey. Gallery Books (May 5, 2026). ISBN: 978-1668074886. 384p.

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THE CORRESPONDENT by Virginia Evans

March 20, 2026

From the publisher:

#1 NEW YORK TIMES BESTSELLER • Discover the word-of-mouth hit hailed by Ann Patchett as “A cause for celebration”—an intimate novel about the transformative power of the written word and the beauty of slowing down to reconnect with the people we love.

The Correspondent is this year’s breakout novel no one saw coming.”—The Wall Street Journal

“Imagine, the letters one has sent out into the world, the letters received back in turn, are like the pieces of a magnificent puzzle. . . . Isn’t there something wonderful in that, to think that a story of one’s life is preserved in some way, that this very letter may one day mean something, even if it is a very small thing, to someone?”

Filled with knowledge that only comes from a life fully lived, The Correspondent is a gem of a novel about the power of finding solace in literature and connection with people we might never meet in person. It is about the hubris of youth and the wisdom of old age, and the mistakes and acts of kindness that occur during a lifetime.

Sybil Van Antwerp has throughout her life used letters to make sense of the world and her place in it. Most mornings, around half past ten, Sybil sits down to write letters—to her brother, to her best friend, to the president of the university who will not allow her to audit a class she desperately wants to take, to Joan Didion and Larry McMurtry to tell them what she thinks of their latest books, and to one person to whom she writes often yet never sends the letter.

Sybil expects her world to go on as it always has—a mother, grandmother, wife, divorcee, distinguished lawyer, she has lived a very full life. But when letters from someone in her past force her to examine one of the most painful periods of her life, she realizes that the letter she has been writing over the years needs to be read and that she cannot move forward until she finds it in her heart to offer forgiveness.

Sybil Van Antwerp’s life of letters might be “a very small thing,” but she also might be one of the most memorable characters you will ever read.

LONGLISTED FOR THE CENTER FOR FICTION FIRST NOVEL PRIZE, THE ANDREW CARNEGIE MEDAL, AND THE WOMEN’S PRIZE FOR FICTION • A BEST BOOK OF THE YEAR: NPR, The Washington Post, Boston Globe, Elle, Christian Science Monitor, She Reads

https://amzn.to/3PfWVy7


Well. Where to start. A letter!

Dear reader,

This remarkable debut novel came out last year, and I kept putting it off until I forgot about it entirely. My mistake — don’t make the same one. This is a book not to be missed, and now that I’ve finally read it, I know I’ll never forget it.

It’s an epistolary novel — a novel told entirely through letters. I love this format, though I know not everyone does. Set aside any reservations and give it a chance. One of my all-time favorite books is also epistolary: Last Days of Summer by Steve Kluger. If you haven’t read it, find a copy and thank me later. I read it more than twenty years ago and could still discuss it in detail today — which, given how much my memory has faded and how many books I’ve consumed in the interim, says everything.

But I digress.

Our heroine/letter writer is Sybil Van Antwerp, a septuagenarian from Maryland who has spent her life writing letters. She writes to her brother in France, her best friend in Connecticut, and her children, who rarely write back. She corresponds with the troubled but brilliant young son of a judge who is a family friend, and with authors you may recognize — Ann Patchett (who blurbed this book) and Joan Didion, among others. We come to know everyone in Sybil’s world through her letters and the ones she receives.

Through those letters, we learn that Sybil lost a child when he was very young, a loss that shaped the entire course of her life. We learn about her divorce, her career in law, and the way she sees the world and the people in it. Once someone enters her orbit, they become a friend — whether they intend to or not. We also learn, with quiet heartbreak, that Sybil has been diagnosed with a rare disease that will eventually cost her her sight. She is slowly going blind.

I particularly loved her reflections on why she writes by hand. There are some emails in the mix, but most of the correspondence is written at her desk — a form of communication that has become, if not already obsolete, then rapidly fading. (To be clear, the book itself is printed in a normal font; I only mean that the characters write by hand.) What letters do, especially in this novelist’s hands, is create an extraordinary sense of intimacy. Reading them feels like peering directly into someone’s thoughts. The reader becomes almost complicit — a quiet witness to a private world.

I loved this book. It moves quickly, as epistolary novels tend to, but it lingers long after the last page. I’ve read two books since finishing it, and I’m still thinking about Sybil — her voice, her letters, the way they made me laugh, bristle, and ache by turns. I spent the final chapters dreading the end, even as it became inevitable. It will absolutely appear on my best-of-the-year list.

One of the reasons I started this blog back in the 1990’s was because when I find a book that I love, I want everyone to read it. I hope I’ve convinced you to read it. If I have, please come back and tell me what you think.

Thanks for reading.

Warmest wishes,
Stacy

PS: I found this little review online and wished I had written it!

“I don’t say this lightly: this book is perfect. A staggering achievement of voice and character, of layered empathy and honest appraisal about all the ways we fail and recover as humans. Just so so good. I read it in a day, but will think about it for years.” Michael Smith, Goodreads

3/2026 Stacy Alesi, AKA the BookBitch

THE CORRESPONDENT by Virginia Evans. Crown. (April 29, 2025). ISBN: 978-0593798430. 304p.

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