Spotlight Review: WHAT IT’S LIKE IN WORDS by Eliza Moss

December 3, 2024

From the publisher:

Eliza Moss’s intoxicating debut novel is a dark, intense, and compelling account of what happens when a young woman falls in love with the wrong kind of man.

Enola is approaching 30 and everything feels like a lot. The boxes aren’t ticked and she feels adrift in a way she thought she would have beaten by now. She wants to be a writer but can’t finish a first draft; she romanticizes her childhood but won’t speak to her mother; she has never been in a serious relationship but yearns to be one half of a couple that DIYs together at the weekends.

Enter: enigmatic writer. Enola falls in love and starts to dream about their perfect future: the wedding, the publishing deals, the house in Stoke Newington. But the reality is far from perfect. He’s distant. But she’s a Cool Girl, she doesn’t need to hear from him every day. He hangs out with his ex. But she’s a Cool Girl, she’s not insecure. Is she? He has dark moods. But he’s a creative, that’s part of his ‘process’. Her best friend begs her to end it, but Enola can’t. She’s a Cool Girl.

She might feel like she’s going crazy at times, but she wants him. She needs him. She would die without him…That’s what love is, isn’t it? Over the next twenty-four hours (and two years), everything that Enola thinks she knows is about to unravel, and she has to think again about how she sees love, family, and friendship and―most importantly―herself.

With notes of Fleabag & I May Destroy You but with the sparseness and emotional accuracy of writers like Ali Smith and Lily King, What It’s Like in Words is a close examination of what it means to experience the intense emotional uncertainty of first love.

“It’s an arresting portrait of manipulation.” ―Publishers Weekly

“Dynamic debut … A searing novel about why we love people who are bad for us.”―Kirkus

https://amzn.to/3Au1PAD

This debut novel is about a young woman so desperate for love that she falls into a dysfunctional relationship. Enola works as a barista by day with her best friend, Sarah, and is an aspiring writer by night. She is having difficulty with the actual writing process, and when she meets B at her writer’s group, there is an instant attraction. Enola becomes obsessed with him, but what she doesn’t realize is that B is a master manipulator. Enola lost her father when she was young, and her relationship with her mother is fragile at best. B’s constant cutting remarks cut deep and while Sarah tries to be supportive, she can’t help reminding Enola that she deserves more. Eventually, Enola manages to extricate herself and immediately falls for someone else. But B isn’t letting her go that easily, and it takes more courage than Enola thinks she has to move on.

Verdict: Obsessive love is at the heart of this compulsively readable debut novel, and should appeal to fans of Colleen Hoover.

©Library Journal, 2024

12/2024 Stacy Alesi, AKA the BookBitch

WHAT IT’S LIKE IN WORDS by Eliza Moss. Henry Holt and Co. (December 3, 2024). ISBN: 978-1250355058. 320p.

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Spotlight Review: PLAYS WELL WITH OTHERS by Sophie Brickman

August 6, 2024

From the publisher:

In the vein of Where’d You Go, Bernadette and Fleishman Is in Trouble, a wickedly funny and incisive debut novel following a mother trapped in the rat race of NYC parenting as her life unravels.

“Heavenly hilarity for readers.”—Good Housekeeping

It takes a village…just not this one. 

Annie Lewin is at the end of her rope. She’s a mother of three young children, her workaholic husband is never around, and the vicious competition for spots in New York City’s kindergartens is heating up. A New York Times journalist-turned-parenting-advice-columnist for an internet start-up, Annie can’t help but judge the insanity of it all—even as she finds herself going to impossible lengths to secure the best spot for her own son.

As Annie comes to terms with the infinitesimal odds of success, her intensifying rivalry with hotshot lawyer Belinda Brenner—a deliciously hateful nemesis, what with her perfectly curated bento box lunches and effortless Instagram chic—pushes her to the brink. Of course, this newly raw and unhinged version of Annie is great for the advice column: the more she spins out, the more clicks and comments she gets.

But when she commits a ghastly social faux pas that goes viral, she’s forced to confront the question: is she really any better than the cutthroat parents she always judged?

A shimmering epistolary novel incorporating emails, group texts, advice columns, newspaper profiles, and more, Plays Well with Others is a whip-smart, genuinely funny romp through the minefield of modern motherhood. But beneath its fast-paced, satirical veneer, Brickman gives us a fresh, open-hearted, all-too-real take on what it means to be a parent—fierce love, craziness, and all.

“This biting commentary on the travails of modern parenthood is perfect for fans of Laurie Gelman and Laura Zigman, and for those who appreciate funny portraits of imperfect women.” — Booklist

“Heavenly hilarity for readers.”—Good Housekeeping

https://amzn.to/3SkMQPi

Brickman’s first novel after Baby, Unplugged: One Mother’s Search for Balance, Reason, and Sanity in the Digital Age, also centers on parenting and mental health, but in epistolary fiction full of the warmth, emotions, and humor necessary for any family to thrive.

Annie was an arts writer for the New York Times, but three kids in four years means taking a job writing a parenting column for a new internet startup. Her “editress” is obsessing about clicks, and Annie’s anxiety about her own parenting skills are sending her into occasional panic attacks. Living on the Upper East Side of Manhattan brings its own special kind of pressure, and now that her eldest is four, that means getting him into the right school for kindergarten, and life! Her nemesis is Belinda, a fierce divorce lawyer who regularly gets her digs in as their kids compete for entry into the top schools.

Annie’s husband is busy making money and figures he can start parenting in about a decade, leaving Annie to wonder if she’ll make it until then. Told through her parenting columns, text chains replete with emojis, school newsletters, and more, eventually, everything comes to a head and implodes into a glorious, satisfying ending.

Verdict: You don’t have to be a young mom to appreciate this hilarious look at family life in an elite city. Should appeal to readers who enjoy Taffy Brodesser-Akner, Lauri Gelman, or Laura Zigman.

©Library Journal, 2024

8/2024 Stacy Alesi, AKA the BookBitch

PLAYS WELL WITH OTHERS by Sophie Brickman. William Morrow (August 6, 2024). ISBN: 978-0063371200. 320p.

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Spotlight Review: THE WEDDING PEOPLE by Alison Espach

July 30, 2024

From the publisher:

A propulsive and uncommonly wise novel about one unexpected wedding guest and the surprising people who help us start anew.

It’s a beautiful day in Newport, Rhode Island, when Phoebe Stone arrives at the grand Cornwall Inn wearing a green dress and gold heels, not a bag in sight, alone. She’s immediately mistaken by everyone in the lobby for one of the wedding people, but she’s actually the only guest at the Cornwall who isn’t here for the big event. Phoebe is here because she’s dreamt of coming for years―she hoped to shuck oysters and take sunset sails with her husband, only now she’s here without him. Meanwhile, the bride has accounted for every detail and every possible disaster the weekend might yield except for, well, Phoebe―which makes it that much more surprising when the women can’t stop confiding in each other.

In turns uproariously, absurdly funny and devastatingly tender, Alison Espach’s The Wedding People is a look at the winding paths we can take to places we never imagined―and the chance encounters it sometimes takes to reroute us.

https://amzn.to/48RZhry

Espach’s latest (after Notes on Your Sudden Disappearance,) brings Phoebe Stone to an exclusive small hotel in Newport, Rhode Island, where she quickly discovers everyone else is there for a six-day, million-dollar wedding extravaganza. Phoebe is there to kill herself. She has had several unsuccessful rounds of IVF, lost her husband to another woman, her cat has died, and she hates her job; her solution to all her problems is to give up on life, but in style at this dream vacation spot.

Phoebe has no qualms about telling the bride, Lila, why she is there, and Lila is as incensed as only a bride could be – a suicide during her wedding week is not on the agenda! Lila is a strong-willed young woman who recently lost her father; his dying wish was for her to get married, and he left her enough money to pay for the wedding of her dreams. Lila harangues Phoebe into joining the wedding festivities, and they spend quite a bit of time together. Sometimes, it is easier to confide in a relative stranger, and both women learn quite a bit about one another during the wedding week.

The witty dialogue is just a bonus in this engrossing read that centers on complex women making life-changing decisions. Recommend to readers who enjoy Sally Rooney, Curtis Sittenfeld, or Elizabeth Berg.

©Library Journal, 2024

7/2024 Stacy Alesi, AKA the BookBitch

THE WEDDING PEOPLE by Alison Espach. Henry Holt and Co. (July 30, 2024). ISBN: 978-1250899576. 384p.

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Spotlight Review: HEY, ZOEY by Sarah Crossan

June 25, 2024

From the publisher:

Dolores O’Shea’s marriage collapses when she discovers her husband’s AI sex doll in the garage. When she moves “Zoey” into the house, they become oddly bonded, opening the door to a lifetime of repressed feelings and memories. “Brilliant, provocative, and darkly funny, Sarah Crossan’s Hey, Zoey explores the impossibility of connection, and the things we hide from ourselves and the people we love.” (Sarah Dunn)

43-year-old Dolores O’Shea is logical, organized, and prepared to handle whatever comes her way. She keeps up with her job and housework, takes care of her mentally declining mother, and remains close with her old friends and her younger sister who’s moved to New York. Though her marriage with David, an anesthesiologist, isn’t what is used to be, nothing can quite prepare her for Zoey, the $8,000 AI sex doll that David has secretly purchased and stuffed away in the garage. At first, Zoey sparks an uncharacteristically strong violence in Dolores, whose entire life is suddenly cast in doubt.

But then, Dolores and Zoey start to talk…and what surfaces runs deeper than Dolores could have ever expected, with consequences for all of the relationships in her life, especially her relationship to herself. Provocative, brilliant, and tender, Hey, Zoey is an electrifying new novel about the painful truths of modern-day connection and the complicated and unexpected forms that love can take in a lifetime. 

https://amzn.to/40Ioy4r

Sarah Crossan (Here Is the Beehive) delivers a darkly comic, wholly original novel steeped in artificial intelligence, in this case, a sexbot named Zoey, who communicates using AI. David and Delores have been married for several years, but this is not a marriage of passion; their relationship seems more like two friends who are living together, but things come to a head when Delores finds the sexbot in their garage. David refuses to discuss it when she confronts him, and he moves out, leaving Zoey behind. More frustrated than heartbroken, Delores drags the doll into the house and sets up the app, making Zoey her new roommate and confidante. Delores’s mother is suffering from dementia, and she misses her sister, who has moved across the pond to New York City. As we learn more about Delores and all her relationships, it is easy to understand her fascination with Zoey; Zoey is a good listener and can hold her own in a conversation. What once seemed like science fiction is now reality.

Verdict: In light of the proliferation of AI into all aspects of life, this is a timely read, sure to appeal to book groups who enjoy Gary Shteyngart, Ottessa Moshfegh, or Dave Eggers. 

©Library Journal, 2024

6/2024 Stacy Alesi, AKA the BookBitch

HEY, ZOEY by Sarah Crossan. Little, Brown and Company (June 25, 2024). ISBN: 978-0316428606. 304p.

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Spotlight Review: WE WERE THE UNIVERSE by Kimberly King Parsons

May 14, 2024

From the publisher:

A young mother, in denial after the death of her sister, navigates the dizzying landscapes of desire, guilt, and grief in this darkly comic, highly anticipated debut novel from Kimberly King Parsons, author of the story collection, Black Light (long-listed for the National Book Award).

The trip was supposed to be fun. When Kit’s best friend gets dumped by his boyfriend, he begs her to ditch her family responsibilities for an idyllic weekend in the Montana mountains. They’ll soak in hot springs, then sneak a vape into a dive bar and drink too much, like old times. Instead, their getaway only reminds Kit of everything she’s lost lately: her wildness, her independence, and—most heartbreaking of all—her sister, Julie, who died a few years ago.

When she returns home to the Dallas suburbs, Kit tries to settle in to her routine—long afternoons spent caring for her irrepressible daughter, going on therapist-advised dates with her concerned husband, and reluctantly taking her mother’s phone calls. But in the secret recesses of Kit’s mind, she’s reminiscing about the band she used to be in—and how they’d go out to the desert after shows and drop acid. She’s imagining an impossible threesome with her kid’s pretty gymnastics teacher and the cool playground mom. Keyed into everything that might distract from her surfacing pain, Kit spirals. As her already thin boundaries between reality and fantasy blur, she begins to wonder: Is Julie really gone?

Neon bright in its insight, both devastating and laugh-out-loud funny, We Were the Universe is an ambitious, inventive novel from a revelatory new voice in American fiction—a fearless exploration of sisterhood, motherhood, friendship, marriage, psychedelics, and the many strange, transcendent shapes love can take.

https://amzn.to/48RZhry

Kimberly King Parsons’s Black Light: Stories was longlisted for the National Book Award, so there were high expectations for her debut novel, a story about sex, psychedelics, parenting, and grief told through a long look into the mind of the narrator, Kitty, a young mother living in a Texas suburb. Kitty’s younger sister died a few years earlier, and she is still trying to come to terms with that. Her mother has always had hoarder tendencies, but since she lost her daughter, those tendencies have risen to the extreme. Her daughter is a precocious four-year-old who is still breastfeeding and sleeping in the family bed, and her husband is a good guy who is just worried about his wife. All of this is told from Kitty’s point of view in a meandering, unfiltered way, but because of that, we don’t really get to know any of the other characters. It is a bit of a slog to get through, with occasional insights and humor amid the pathos.

Verdict: Stream of consciousness is a literary device that will not appeal to all readers, so buy for demand only. Steer toward readers who loved Melissa Broder’s Death Valley, Jonathan Safran Foer’s Everything is Illuminated, or The Bird Hotel by Joyce Maynard.

©Library Journal, 2024

5/2024 Stacy Alesi, AKA the BookBitch

WE WERE THE UNIVERSE by Kimberly King Parsons. Knopf (May 14, 2024). ISBN: 978-0525521853. 288p.

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Spotlight Review: THE HUSBANDS by Holly Gramazio

May 7, 2024

From the publisher:

The Husbands delights in asking: how do we navigate life, love, and choice in a world of never-ending options?

When Lauren returns home to her flat in London late one night, she is greeted at the door by her husband, Michael. There’s only one problem—she’s not married. She’s never seen this man before in her life. But according to her friends, her much-improved decor, and the photos on her phone, they’ve been together for years.

As Lauren tries to puzzle out how she could be married to someone she can’t remember meeting, Michael goes to the attic to change a lightbulb and abruptly disappears. In his place, a new man emerges, and a new, slightly altered life re-forms around her. Realizing that her attic is creating an infinite supply of husbands, Lauren confronts the question: If swapping lives is as easy as changing a lightbulb, how do you know you’ve taken the right path? When do you stop trying to do better and start actually living?

INSTANT NEW YORK TIMES BESTSELLER • READ WITH JENNA’S APRIL BOOK CLUB PICK NAMED A MOST ANTICIPATED BOOK OF THE YEAR FROM THE WASHINGTON POST AND THE STAR TRIBUNE

“Delightfully addictive. . . a bottomless champagne flute of a novel” —The Washington Post

“A charming speculative novel about a woman’s difficulty settling on a mate. . . there’s plenty of intelligence and candor in the author’s creative spin on the conundrum of commitment.” —Publishers Weekly

“The plot allows the author to explore current attitudes and approaches to dating and mating from a fresh perspective… A fun take on a big question.” —Kirkus

https://amzn.to/44s8rdu

Cue the Twilight Zone music…

Lauren meets her husband Michael for the first time when she gets home late one night. He’s there, in her apartment. Except she’s not married. Never been married. And not surprisingly, she freaks out a bit.

Luckily, we all have records of our lives that we hold in our hands – our phones. Sure enough, there are lots of pictures with Michael and their wedding and their friends. Her apartment looks better, too. But still, Lauren just doesn’t know what to think about this. Or how to get out of it.

Then she figures out that there is something going on in her attic. When Michael goes up to the attic, a different husband comes down. She tries it again and again and again – one husband goes up, and a new husband comes down. And different aspects of her life also change. She’s usually in the same apartment, but the decor and level of tidiness changes from husband to husband. Once she marries rich and finds out her apartment is now an Airbnb and she lives in an enormous mansion in the English countryside. Her jobs also change – she works for the town council, but sometimes she has other occupations. Once she’s been promoted at her original job. Sometimes there’s more money and sometimes there’s less. Some husbands are better looking, some are kinder or more interesting. She keeps some for only a minute or two, some for a day or two, and a few make it for a few weeks here and there.

Lauren experiences a couple of hundred husbands before the realization hits that she needs to end this endless parade somehow. The ending was unexpected yet not, but this book is really about the journey. It was an interesting read but not really a quick read for me. It took me a few days to get through it, but interestingly, I found myself telling my husband and daughter about it every night at dinner. I don’t usually talk about the books I’m reading unless I either think one or both of them would find it interesting or I just need to bounce my thoughts off someone. They were interested enough to ask questions and engage in conversation, even though neither had read it. This is a book that begs discussion for a lot of reasons, so if your book group is in need of something different, something hopeful instead of depressing (as I find most discussion books,) this is a great option. This compelling read had the most unusual premise and was completely thought provoking, and it topped the Library Reads April book list. Highly recommend!

5/2024 Stacy Alesi, AKA the BookBitch

THE HUSBANDS by Holly Gramazio. Doubleday (April 2, 2024). ISBN: 978-0385550611. 352p.

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Spotlight Review: EFFIE OLSEN’S SUMMER SPECIAL by Rochelle Bilow

April 30, 2024

From the publisher:

These childhood best friends swore they’d never speak again. But a surprise summer reunion changes everything when it gives them the chance to turn up the heat.
 
Effie Olsen thought she’d never live on the tiny Maine island where she grew up, but she’s returning from sixteen years as a professional chef in far-flung countries for one summer and one summer only. Her hometown boasts one of the best restaurants in the US, and lucky for her, Brown Butter needs a sous chef. Effie’s eager for a chance at redemption after her last job went up in flames, but reluctant to set down roots in a place that reminds her of the ghosts of her past.

Until, that is, she runs into Ernie Callahan, her onetime best friend who now works in the very same restaurant. Early morning swims and late-night games of truth or dare with Ernie remind her of what she’s been missing while traveling the world. He knows her better than anyone, and it doesn’t hurt that his smile lights her up brighter than the lighthouses dotting the craggy coastline.

But their restaurant has a secret that’s bursting at the seams, and if Effie doesn’t keep it, her job will vanish into the foggy Maine air. As summer draws to a close, her dream job and the perfect guy are both within reach. Her salty seaside hometown might be the key to Effie’s sweet ending…if she can learn to let her heart lead the way in time.

“A much less intense version of The Bear, but with all the same familial bonds and restaurant drama. Bilow, a classically trained chef and food writer, serves up a full dish of romance, humor, and meaty plot, with a perfect portion of sexiness on the side.”—Library Journal (starred review)

“Bilow’s sweet and summery sophomore outing delivers a tender second-chance romance…Bilow slowly turns up the heat on the central romance as the protagonists try and fail to stifle their feelings. Readers will have no trouble seeing that these two belong together.”—Publisher’s Weekly

https://amzn.to/3UrJj1U

The Brown Butter restaurant on a tiny island off the Maine Coast has earned one Michelin star. It’s a completely local, farm to table type restaurant, with all the ingredients sourced from the island and Maine itself. Or is it?

Effie left the tiny island as soon as she graduated high school, then went to culinary school and traveled the world, working in a variety of restaurants. She finally landed her dream job as head chef at a fine dining restaurant in San Francisco, but she is completely overwhelmed by all her new responsibilities. Six months in, she gets fired. Completely broke, her father buys her a ticket home, and she moves back into her childhood bedroom. She gets a lucky break when the Brown Butter is in need of a sous chef. She applies and gets the job. After the interview, she goes drinking with Jarrod, the head chef who hired her, and wakes up the next morning half-naked with no memory of the previous night. Jarrod reassures her that nothing happened. Wandering his apartment above the restaurant, she is surprised to see he has a deep freezer. When she opens it, it is full of monkfish. That was my first inkling that trouble was afoot.

Turns out that Jarrod is a nightmare of a boss. He is rude, condescending, and misogynistic, and those are his better qualities. Screaming at the staff is his favorite pastime, or maybe it’s hitting on the wait staff. Effie had only planned to stay for the summer and get back on her feet, so she tries not to get involved. But she can’t help herself. She then gains more insight into what is really happening in the restaurant when Jarrod shows off some Italian truffles. When she questions how they are going to serve a product from Italy in their 100% locally sourced restaurant, he bites her head off and she backs down. That is just the beginning of that issue, however.

One of her co-workers is Ernie, whom she grew up with. They were best friends for most of her life, but as high school graduation approaches, Ernie tells Effie that he loves her, and she freaks out. The friendship is ruined, and they don’t speak for the next sixteen years until Effie moves back. To her surprise, Ernie is as kind to her as he ever was, and he’s grown up to be a really good-looking man. Her attraction surprises her, but as they learn to be friends again, she keeps that in check. They decide to spend their Mondays off together, revisiting many of the places they loved in their youth. Things start getting a bit flirtatious, but Ernie knows she is leaving at the end of the summer. It took him years to get over her when she left the first time, and he has no desire to revisit that kind of pain again.

This is a second chance, small-town, friends-to-lovers romance, and the restaurant setting was just a bonus for me. Apparently, the author is a trained chef and food writer, so the kitchen stuff really rings true. Fans of the TV series, The Bear, will love that aspect; I know I did. This was a compelling romance with great characters I couldn’t help but root for. I missed this author’s first couple of books, but I will be hunting them down. Don’t miss this one!

4/2024 Stacy Alesi, AKA the BookBitch

EFFIE OLSEN’S SUMMER SPECIAL by Rochelle Bilow. Berkley (April 30, 2024). ISBN: 978-0593547908. 384p.

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Spotlight Review: FUNNY STORY by Emily Henry

April 23, 2024

From the publisher:

Named a Most Anticipated book of 2024 by TIME ∙ The New York Times ∙ Goodreads ∙ Entertainment Weekly ∙ Today.com ∙ Paste ∙ SheReads ∙ BookPage  Woman’s World ∙ The Nerd Daily and more!

A shimmering, joyful new novel about a pair of opposites with the wrong thing in common, from  
New York Times bestselling author Emily Henry.

Daphne always loved the way her fiancé Peter told their story. How they met (on a blustery day), fell in love (over an errant hat), and moved back to his lakeside hometown to begin their life together. He really was good at telling it…right up until the moment he realized he was actually in love with his childhood best friend Petra.

Which is how Daphne begins her new story: Stranded in beautiful Waning Bay, Michigan, without friends or family but with a dream job as a children’s librarian (that barely pays the bills), and proposing to be roommates with the only person who could possibly understand her predicament: Petra’s ex, Miles Nowak.

 Scruffy and chaotic—with a penchant for taking solace in the sounds of heart break love ballads —Miles is exactly the opposite of practical, buttoned up Daphne, whose coworkers know so little about her they have a running bet that she’s either FBI or in witness protection. The roommates mainly avoid one another, until one day, while drowning their sorrows, they form a tenuous friendship and a plan. If said plan also involves posting deliberately misleading photos of their summer adventures together, well, who could blame them?

But it’s all just for show, of course, because there’s no way Daphne would actually start her new chapter by falling in love with her ex-fiancé’s new fiancée’s ex…right?

https://amzn.to/4b3yREp

I’ve been a fan of Henry’s since her first book, and she never disappoints. This book takes a crazy situation, makes it crazier, and then somehow it’s all normal after all. This writer has mad skills!

Daphne and Peter are engaged, but when his “best friend” Petra shows up after the bachelor party, Peter doesn’t hesitate for a second. He dumps Daphne and takes off with Petra, his best friend who now decides she wants to be his girlfriend. Except Daphne moved to this small Michigan town for Peter, and she has a great job that she loves as a children’s librarian and Peter gives her a week to move out. She ends up asking Petra’s ex, Miles, if he has room for her, and he does. They are both heartbroken and quickly become friends.

When Daphne and Miles are invited to Petra and Peter’s wedding, they decide to go together. One thing leads to another and Daphne ends up telling Peter that she and Miles are dating. The next thing you know, they really are dating. Everyone gets their happily ever after, but it’s the journey that makes this read so memorable.

Fans of romance subgenres like fake dating, forced proximity, small town romances, and steamy romances have all that to look forward to! Once again Henry gives us a romance with a surprising amount of heart and depth before we get to the happy ending. Highly recommend!

Enjoy this short interview, courtesy of the New York Times —

4/2024 Stacy Alesi, AKA the BookBitch

FUNNY STORY by Emily Henry. Berkley (April 23, 2024). ISBN: 978-0593441282. 400p.

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Spotlight Review: THE GOOD, THE BAD, AND THE AUNTIES by Jesse Q. Sutanto

March 26, 2024

From the publisher:

What should have been a family celebration of Chinese New Year descends into chaos when longtime foes crash the party in this hilariously entertaining novel by Jesse Q. Sutanto, bestselling author of Dial A for Aunties.

After an ultra-romantic honeymoon across Europe, Meddy Chan and her husband Nathan have landed in Jakarta to spend Chinese New Year with her entire extended family. Chinese New Year, already the biggest celebration of the Lunar calendar, gets even more festive when a former beau of Second Aunt’s shows up at the Chan residence bearing extravagant gifts—he’s determined to rekindle his romance with Second Aunt and the gifts are his way of announcing his courtship.

His grand gesture goes awry however, when it’s discovered that not all the gifts were meant for Second Aunt and the Chans—one particular gift was intended for a business rival to cement their alliance and included by accident. Of course the Aunties agree that it’s only right to return the gift—after all, anyone would forgive an honest mistake, right? But what should have been a simple retrieval turns disastrous and suddenly Meddy and the Aunties are helpless pawns in a decades-long war between Jakarta’s most powerful business factions. The fighting turns personal, however, when Nathan and the Aunties are endangered and it’s up to Meddy to come up with a plan to save them all.  Determined to rescue her loved ones, Meddy embarks on an impossible mission—but with the Aunties by her side, nothing is truly impossible…

“Sutanto packs in loads of local color, and gives the aunties ample opportunity to let their freak flags fly.”—Publishers Weekly

“Sutanto delivers another addictive romp, managing to negotiate a thrilling (multi) happily-ever-after finale because, alas, this concludes the Aunties series.”—Booklist

“Sutanto’s hilarious triptych ends with a finale that could just as well have been titled ‘An Auntie You Can’t Refuse.’”—Kirkus Reviews

https://amzn.to/494xVOC

This was such a fun series that is probably best read in order. I’m sad to say this is the final book – but I look forward to seeing what Sutanto does next!

This book is set in Jakarta, Indonesia and I learned quite a bit about the culture and beauty of the city which just added to my enjoyment of this story. The aunties are all here, and one of them is getting their happy ending – but not before a lot of confusion with a gift. To celebrate Chinese New Year, the elders give out red envelopes with cash in them to all the kids. There are extra gifts to give away this year because Abi, a wealthy “businessman” or mafioso, depending on who you ask, has come bearing gifts. He is trying to make an impression on Second Aunt, who he has been in love with since they were kids. She is impressed, but things go awry when Abi realizes that there is one special envelope that shouldn’t have been given away.

Meddy and the aunts go through all the pictures to find out who got it, but it turns out to be a friend of one of the teenage girls. And the friend not only won’t give it back, she mouths off to the Aunties! They manhandle her and get it back, but it turns out that her father is another wealthy “businessman” who is in direct competition with Abi. Abi, in turn, needs to give the contents of that gift envelope to the third criminal, in this case, a woman. By the way, the names are a hoot! They take famous American names like Abi is short for Abraham Lincoln and the woman is Julia Child.

When Meddy’s Second Aunt is kidnapped, the whole family comes together to rescue her, and as usual, Meddy figures out what the real problems are and manages to save the day. There are a lot of laughs before that happens, and some suspense, but it is the love of this family that makes this series so worthwhile and so good.

Aunties series

The series in order:

  1. Dial A for Aunties
  2. Four Aunties and a Wedding
  3. The Good, the Bad, and the Aunties

 

 

 

3/2024 Stacy Alesi, AKA the BookBitch

THE GOOD, THE BAD, AND THE AUNTIES by Jesse Q. Sutanto. Berkley (March 26, 2024). ISBN: 978-0593546222. 304p.

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Spotlight Review: THE WOMEN by Kristin Hannah

February 13, 2024

From the publisher:

From the celebrated author of The Nightingale and The Four Winds comes Kristin Hannah’s The Women―at once an intimate portrait of coming of age in a dangerous time and an epic tale of a nation divided.

Women can be heroes. When twenty-year-old nursing student Frances “Frankie” McGrath hears these words, it is a revelation. Raised in the sun-drenched, idyllic world of Southern California and sheltered by her conservative parents, she has always prided herself on doing the right thing. But in 1965, the world is changing, and she suddenly dares to imagine a different future for herself. When her brother ships out to serve in Vietnam, she joins the Army Nurse Corps and follows his path.

As green and inexperienced as the men sent to Vietnam to fight, Frankie is over-whelmed by the chaos and destruction of war. Each day is a gamble of life and death, hope and betrayal; friendships run deep and can be shattered in an instant. In war, she meets―and becomes one of―the lucky, the brave, the broken, and the lost.

But war is just the beginning for Frankie and her veteran friends. The real battle lies in coming home to a changed and divided America, to angry protesters, and to a country that wants to forget Vietnam.

The Women is the story of one woman gone to war, but it shines a light on all women who put themselves in harm’s way and whose sacrifice and commitment to their country has too often been forgotten. A novel about deep friendships and bold patriotism, The Women is a richly drawn story with a memorable heroine whose idealism and courage under fire will come to define an era.

“Hannah again shines her light on overlooked women in history” ―People Magazine (Book of the Week)

“Hannah is in top form here… Hannah’s real superpower is her ability to hook you along from catastrophe to catastrophe, sometimes peering between your fingers, because you simply cannot give up on her characters. She gathers women into the (Vietnam) experience with moving conviction.” ―The New York Times

Fans of women’s historicals will enjoy this magnetic wartime story.” ―Publishers Weekly

“a moving, gripping tale that pays tribute to the under-appreciated skill and courage of combat nurses.” —Booklist, starred review

https://amzn.to/48gaUb8

I started reading Kristin Hannah back in the last century when she was writing women’s fiction or domestic fiction. She was always a popular author, but became a mega-best-selling author with The Nightingale, historical fiction about two sisters during World War II that stayed on the New York Times bestseller list for an incredible 58 weeks. That was followed by The Four Winds, another historical novel, this one set during the Great Depression and the Dust Bowl. This new one, The Women, is about the nurses who served during Vietnam, what they went through, what they returned to, and how they survived.

The story is based around our protagonist, Frances McGrath, who goes by Frankie. It is the 1960’s, the start of the Vietnam War, and Frankie’s brother has just enlisted. Theirs is a military family, with the exception of their father, who was 4F. They live in a wealthy enclave in California, and Frankie was brought up to be a wife. She attended Catholic schools throughout her life; she became a nurse, one of the three acceptable women’s careers (secretary, teacher, nurse.) Shortly after she graduates, she decides to follow her brother to Vietnam. As proud of her brother as her parents were, they are horrified by Frankie volunteering and, in fact, lie to their friends about where she is.

Hannah brings the Vietnam War and the role combat nurses played into sharp focus. The horrors of war play out in the MASH unit where she is first assigned, followed by a stint on the front lines. Yet when she realizes she needs help after she returns, the VA tells her there were no women in Vietnam, and only combat veterans are entitled to any kind of help.

The first half of the book or so is about Frankie’s experiences in the war, from her first day when she is told not to salute as “Charlie” likes to kill officers, to the married men who want her, to the two women she serves with who become her closest friends. The second half of the book is about reentry into the “real world”, a civilization that spit on returning veterans, even the women. Frankie turns to alcohol and drugs and eventually gets the help she needs, but it is a long, difficult road to get there. I really loved the ending – instead of everything tied up neatly, we see progress made, both for Frankie and all Vietnam veterans, and the hope of a happy ending for Frankie.

There are so many important themes here, from war to racism to alcoholism and other addictions, and family discordance, and reading groups will have much to discuss. I lived through most of this through elementary school and junior high, but Hannah took me deeper into Vietnam than I’ve been since Tim O’Brien’s The Things They Carried, which I’ve always considered to be the essential read of the Vietnam War. The Women is also an essential read and the first book to be guaranteed a place on my best books of the year list. While it was gut-wrenching at times, it is also poignant, provocative, and too important to be ignored. This is the kind of book that makes me glad I have this platform so I can encourage people to read it. I hope you love it as much as I do.

2/2024 Stacy Alesi, AKA the BookBitch

THE WOMEN by Kristin Hannah. St. Martin’s Press (February 6, 2024). ISBN: 978-1250178633. 480p.

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