THIS DARK ROAD TO MERCY by Wiley Cash

February 24, 2014


Easter and her sister Ruby are orphans living in the foster care system. They’re settling into their new environment and things are ok until their father, Wade Chesterfield, turns up. Easter can remember the last time she saw him: when he signed away his parental rights and vanished from their lives. Of course her mother was still alive then. Wade says that when he heard about their mother’s death, he wanted to be there for them. For Easter it’s too little too late but it’s enough for Ruby to give him a chance and her older sister isn’t about to abandon her. Little do they know Wade’s interest is thanks to a recent turn of luck on his part. But this same turn of luck has now set some pretty nasty folks on his tail—folks willing to use Easter and Ruby to get to their father.

Wiley Cash is one of the most exciting new voices in fiction today. His accomplishments with A Land More Kind Than Home and now This Dark Road to Mercy set him amongst the best in the industry in my opinion.

Cash divides the story between Easter, her guardian ad litem Brady Fuller, and Pruitt, the man sent to find Wade). Of the three Easter is the only truly good and mostly innocent character, a young girl on the edge of losing everything but still full of hope. Brady is an ex-cop whose story comes out as the plot develops, as does Pruitt’s motivation behind tracking Wade. The emotions that run through the story and drive each character—love, hate, fear, devotion—are so evident and carefully built that the reader has no choice but to become drawn in by the story, swept along from the opening chapter of a girl recounting her mother’s death straight through to the pitch perfect end.

2/14 Becky Lejeune

THIS DARK ROAD TO MERCY by Wiley Cash. William Morrow; First Edition edition (January 28, 2014). ISBN 978-0062088253. 240p.


AFTER I’M GONE by Laura Lippman

February 13, 2014


Lippman returns with a brilliant standalone novel that includes a nod to her series heroine, Tess Monahan, and is set in her hometown of Baltimore. She grabbed me on page one with a quote from the classic Herman Wouk book, Marjorie Morningstar, which sort of set the mood for me. (If you’re not familiar with the 1955 bestseller, Slate did a great piece on it for the 50th anniversary: Marjorie Morningstar: The conservative novel that liberal feminists love.)

Felix Brewer is a charmer with an eye for beautiful women, and Bambi Gottschalk is a stunner. Their chemistry is instanteous and explosive, and long-lasting – until Felix disappears after many years of marriage and three children.

Felix does very well, keeping the family in the lap of luxury. He owns a strip club among other businesses, mostly not legal, but when he’s arrested and facing ten years in prison, he takes off, hiding his assets and leaving the family penniless. Bambi, who was barely graduated from high school when they married, has never worked and has no job skills. She relies on her husband’s lawyer and his wife, her best friend, and they help as much as they can.

The only one who may know where the money has gone is Julie, Felix’s girlfriend, and she’s not talking. Surprisingly, no one ever looks for Felix and his disappearance is just accepted as fact by everyone except his wife and mistress. Bambi refuses to have him declared dead so never collects insurance, and in her heart believes that someday he will come home. Julie is convinced that Felix will send for her, which becomes her undoing.

Ten years after Felix disappears, Julie disappears too, and it is believed that she is finally with Felix. Except that many years after that, her body is found in a deserted area of a park, and her murder is at the heart of this mystery.

Sandy is a retired Baltimore homicide police who is working on cold cases as a consultant to the police department. He starts looking into Julie’s murder, and while it is central to the story, this is much more than a mystery. We also get a look at what happens to the five women left behind when Felix disappears – his wife, his three daughters, and his mistress. The story spans more than thirty years, moving back and forth from the early days of the marriage, the years when Felix disappeared, the three girls growing up, and the 2012 murder investigation.

This is a fast moving story with believable characters that you can’t help caring about and rooting for. In fact, the characters propel the story along as much, if not more, than the mystery.

Laura Lippman is one those authors that I drop everything to read; she is one of the best crime fiction writers working today. If you haven’t read her yet, do yourself a favor and pick up any of her books. I fell in love with her very first novel, Baltimore Blues, and haven’t looked back since.

This is a genre bending novel; mystery for sure, but women’s fiction readers will love it too, as will book groups. After I’m Gone is a truly wonderful read and I was very sorry to have to turn the last page. 

2/14 Stacy Alesi, AKA the BookBitch

AFTER I’M GONE by Laura Lippman. William Morrow (February 11, 2014). ISBN 978-0062083395. 352p.


A STAR FOR MRS. BLAKE by April Smith

February 6, 2014


I am familiar with April Smith and her Ana Grey F.B.I. thrillers, and they are excellent. A Star for Mrs. Blake is quite the departure from her series, but I think it is her finest book.

Cora Blake is a widow from a tiny island in Maine who loses her son during World War I. At sixteen, he lied about his age and joined the army, like a lot of young men did back then. Sadly, he gave his life for his country, and Mrs. Blake became a Gold Star Mother, joining the ranks of thousands of other mothers who also lost their sons to war.

The United States government inquires whether she wants his remains returned or buried where he died, and she chooses the Meuse-Argonne American Cemetery in France. A few years later, Congress passes legislation to fund the transportation of the Gold Star Mothers to their sons’ graves in Europe, and Mrs. Blake receives an invitation. Several thousand Gold Star Mothers made the journey, and this beautifully written novel is about this little known slice of history set during the Depression.

Smith makes it personal by creating a small group of women and telling their stories. They travel first class with an army officer as chaperone, and a nurse, both of whom have interesting back stories. The group also includes a Boston society woman, heir to a railroad fortune, poor Jewish and Irish immigrants, and a woman who, they are warned, is a recent release from an insane asylum. This group quickly becomes a rather dysfunctional family, helping each other, fighting with each other, but at heart always knowing that they share a terrible loss.

Part history lesson, part travelogue, but fully wonderful, Smith says she’s been wanting to write this story for twenty-five years, and I’m really glad she finally got her way. Despite the seriousness of the subject, there is some humor and the book never becomes maudlin. The characters move the story along, and it is a fast read. Book groups especially will love this. If you liked The Postmistress by Sarah Blake or Losing Julia by Jonathan Hull, you will probably like this one too – and if you haven’t read either of those, do yourself a favor and add them to your to-be-read list.

I had never heard of Gold Star Mothers group, but they are still active. Loss is, of course, no longer limited to just sons; those who have lost daughters are also eligible. For more information on Gold Star Mothers, please visit www.goldstarmoms.com

02/14 Stacy Alesi, AKA the BookBitch

A STAR FOR MRS. BLAKE  by April Smith.  Knopf (January 14, 2014). ISBN 978-0307958846. 352p.


THE LANGUAGE OF FLOWERS by Vanessa Diffenbaugh

February 2, 2014

What is the language of flowers? During the Victorian era, a man would present a woman with a bouquet, and she would run home to try and decipher his meaning; honeysuckle for devotion, asters for patience, red roses for love.

Diffenbaugh takes that language and uses it as a tool for our heroine. At the center of this story is 9 year old Victoria Janes, a product of the foster care system in northern California. She never knew her mother or father and has already lived in 32 foster homes. Her social worker describes her as “Detached. Quick-tempered. Tight-lipped. Unrepentant.”

Now the 9 year old is being taken to live with Elizabeth, yet another foster mother. “This is your last chance,” she’s told. “Your very last chance.”

Elizabeth lives on a working vineyard, but she grew up on a flower farm. All the tricks that Victoria uses to try and alienate Elizabeth do not work – Elizabeth stays calm, even in the face of broken memorabilia and prickly pear spines placed in her shoes. She constantly tells Victoria, “I will love you, and I will keep you.” But Victoria is not a believer, and she is almost impossible to reach.

When Elizabeth sees that Victoria has a fascination with flowers, she decides to feed that. She takes Victoria to the huge San Francisco flower market, and while there points out her nephew, working at one of the stands. Elizabeth explains that they are estranged; that she and her sister have had a feud going on for many years and do not speak and she doesn’t know her nephew at all.

Elizabeth teaches the prickly child the Victorian language of flowers. While the language has gone by the wayside, Elizabeth grew up learning it and she passes it along to her very willing pupil. And Victoria finally learns a way to communicate.

Victoria gradually settles in with Elizabeth. School doesn’t work out, so Elizabeth home schools her. Eventually Victoria comes up with a crazy plan to somehow keep Elizabeth all to herself; a plan that only a child could think would work. Instead, she manages to push away the only adult who ever truly loved her.

Victoria ends up in a group home for the remainder of her childhood. At 18, she ages out of the foster care system, and she becomes homeless. “My hopes for the future were simple: I wanted to be alone, and to be surrounded by flowers.” The story weaves back and forth between Victoria’s nightmare of a childhood and her adult life as a florist.

After she is forced out of the group home, she ends up sleeping in the park, under some trees and bushes and is not unhappy. Having spent most of her life hungry, she has some food issues but manages by eating food left on restaurant tables.

One morning she shows up at the nearby Bloom flower shop, leaves in her hair from her park bed, but the owner, Renata, hires her anyway on a temporary, cash basis. She quickly learns the floral business. Renata soon realizes that Victoria is a gifted floral designer and lets her loose, and finds her a place to live.

Victoria helps build up the wedding business at Bloom. She interviews the brides-to-be about their fiancés and their relationships, picking flowers for their weddings that reflect personally on each couple based on the Victorian language. Eventually, she moves out on her own and starts her own wedding business.

But her personal life is still difficult. When she starts working for Bloom, she is at the flower market every week. Victoria sees a man who looks at her in a way that she doesn’t care for, so the next week she brings him rhododendron, which means “beware.” He later hands her a sprig of mistletoe, which we understand to mean as a way of getting a kiss, but the Victorian meaning is “I surmount all obstacles.” They continue communicating this way and eventually she realizes it is Grant, Elizabeth’s estranged nephew. But Victoria is extremely introverted, bordering on hostile. Can this young woman find love and happiness?

Diffenbaugh’s debut novel is enchanting. She is a mesmerizing storyteller. I read this in one night, I simply couldn’t put it down. One of the things I love most about The Language of Flowers is that it is that rarity in discussion books, an inspirational, uplifting story with a happy ending.


The original hardcover had a close up of a begonia on the cover, which means “caution.” The paperback cover (above) has a spray of camellias, which means “my destiny is in your hands.” The flower that I’m taking from this book is a single pink carnation, which means “I will never forget you.”

01/14 Stacy Alesi, AKA the BookBitch

THE LANGUAGE OF FLOWERS by Vanessa Diffenbaugh.  Ballantine Books; Reprint edition (April 3, 2012). ISBN 978-0345525550. 352p.


FIFTY SHADES OF GREY by E.L. James

August 15, 2012

FIFTY SHADES OF GREY by E.L. James

I’m a librarian. I’ve been reviewing books, popular fiction mostly, for fifteen years. This is the book that everyone is talking about and I simply had to read it. It’s been front page news, literally, of the Sun Sentinel and countless other papers. Worthy of a fabulous, filthy skit on Saturday Night Live. Numerous TV interviews. Over 500 people (mostly women) showed up at one of her first book signings in the U.S. at Books & Books in Miami. E.L. James is the ‘it’ girl of the year. Why?

After reading this, the first book in the trilogy, I’m still not sure. Yes, I can agree with all the reports (including the author’s own admission on the Today Show) that it is poorly written. It is annoyingly repetitive, cliché-ridden, and smarmy more often than not, yet somehow it’s also completely captivating. The story is as old as time; fresh faced innocent college girl meets gorgeous powerful “older” (he’s 27, my son’s age!) billionaire with some added kink thrown in. Call it “Intro to BDSM” or Bondage Light. I wouldn’t classify this as romance in the strictest sense of the word as there are no wedding bells at the end of the book, but it is definitely erotica. And not very good erotica. Yet somehow it works and I couldn’t turn the pages fast enough. It ends with a cliffhanger, forcing me to pick up Fifty Shades Darker. Stay tuned for that review…

FIFTY SHADES DARKER by E.L. James: Book Two in the trilogy of the year starts off where the first book ends. Christian and Ana are going through hell being apart. No worries, Christian works his way back to Ana, and she to him. Ana grows up a bit in this book, learns to be a bit more assertive and less intimidated by her domineering billionaire Christian. There are some subplots but the point of this book is, like the first book, all about sex. It is as poorly written as the first book, with frowns, lip biting, and smirks on every page, but there is no denying the heat between these two. It is an easy read, an easy book to skim if that is your wont, and still an engrossing story. See my review of the final book, Fifty Shades Freed, for more thoughts on this series.

FIFTY SHADES FREED by E.L. James: It’s hard to summarize these books without giving away the major plot points, and there is little point in reading them if you know what is going to happen. That said, as a trilogy, these books form a complete story arc. The length is due to all the sex, which is occasionally quite erotic, but more often than not, just repetitive. The glimmer of dominance and submission, bondage and discipline is fun and apparently quite fascinating to most readers. If you want more information, legitimate information, on the subject, I highly recommend Screw the Roses, Send Me the Thorns: The Romance and Sexual Sorcery of Sadomasochism by Phillip Miller and Molly Devon. If you just want titillation, stick with 50 Shades or for the real down and dirty, the Sleeping Beauty series by A. N. Roquelaure (also known as Anne Rice,) or the Story of O by Pauline Reage. The difference is that it is probably easier to identify with Ana than O for most women because the love story there goes both ways, while that is not clear in O’s case.

Final thoughts…the appeal of the 50 Shades of Grey trilogy lies with the characters and their great love affair. We can’t help but root for the insecure girl who lands the gorgeous rich guy, and the damaged man brought out of the dark by her. Ana and Christian save each other, inspire each other so that their sum together is greater than their parts. Their torrid love affair, the “mommy porn” aspect is candy to some, inflaming imaginations and libidos, while others will fly past those pages. Nonetheless, Ana and her 50 Shades bring to mind other great loves in literature like Romeo and Juliet, and Scarlett and Rhett, with apologies to Shakespeare and Mitchell. Most romance readers are looking for that, and those that don’t usually read romance are perhaps surprised at how they are swept away with Ana and Christian, enough to overlook the abysmal writing, the lip biting, the smirking. I know I was. KINDLE

6/12 Stacy Alesi

Erotica
Romance
Women’s fiction
Book Discussion